About me

I am a visual artist working at the intersection of photography, optical engineering, and media archaeology. My practice investigates the material and perceptual conditions of image-making, drawing on early photographic techniques as well as contemporary digital processes. I design and build my own photographic instruments, light-measurement systems, and film-processing mechanisms, which serve both as research tools and as active components in my artistic work.

My current research focuses on how photographic technologies shape aesthetic and cultural value—particularly in relation to waste, marginal materials, and the transformation of overlooked objects into sites of symbolic and perceptual tension. This includes experimental approaches to stereoscopy, lensless imaging, autostereoscopic depth capture, and large-format optical printing.

I have collaborated with institutions including Preus Museum, Munch’s House, and Den Kulturelle Skolesekken, developing educational programs that combine practical camera-building, the history of photography, and critical reflection on image culture. I have presented my inventions and research in workshops, lectures, and public demonstrations, including Stereoscopy Day, an event founded by Sir Brian May, and I continue to contribute to international discussions on stereoscopic and optical imaging.

I work through Lambe Lab, my studio for analog-digital imaging systems, where I prototype new photographic tools and develop visual works that explore the evolving relationship between light, matter, memory, and illusion.